Some peace and quiet for your ears....

Short Film by Nick Seaton...see more at toasttravels.co.uk

Monday, January 11, 2010

Wednesday, January 6, 2010

You Know What They Say About Assumptions


Back when I first started art school, I decided that I would only make work of a particular style because that’s what I felt passionate about. I was very critical of art styles that I didn’t prefer. I would say that I had an almost aggressive attitude about its right to exist. I think this originated in my belief that if art wasn’t made out of conscious thinking it was of little value. In other words, I would start with an idea or something beautiful and would create work inspired by the idea or beauty. It had to have some logical A to B line of thinking one could trace from its beginnings. It didn’t have to be representational necessarily but it would come from representational because that’s were we all live, right?
Then I went for a drive with my uncle up the California coast from Malibu to San Francisco. I would like to talk about the amazing experience that was for me in some other blog. So when we got to San Francisco we got a map of the city and he asked me where I would like to go first. I wanted to say to the hat shops that I’d seen in magazines but I knew we weren’t there for that. I wasn’t sure where to start so we wandered around the harbors looking at the boats and food stalls. We got some shrimp cocktail and it was fun. I saw on the map the San Francisco Museum of Modern Art and screamed that’s where I wanted to go next.
We hopped a trolley up to the museum. I was starting to get that out-of-body feeling when my world gets too amazing for me to comprehend. We walked up the wide wooden steps entering the galleries. We looked at a lot of crazy stuff the height of which was an exhibit of two tall, narrow walls and a small square floor that had a large stack of colored light bulbs that reached almost to the top of the walls. Try to picture that. My uncle didn’t say a word but I was all over the place with opinion in the negative. It made me think of Joseph Buoys and his chair with a stack of animal fat. “Why is this called high art?” my mind screamed.
Then the last thing we saw was a large room-sized exhibit. It was four walls, a ceiling and a floor constructed of wood about the size of most people’s living rooms. There was only one tiny window about eye level and a small step where one could stand to peep into the window. The outside was painted in black shapes with a yellow background and the inside was painted with yellow shapes on a black background. Or maybe that was vice versa. Anyway, inside there was a mirror directly across from the window so that as you viewed the interior you could see yourself….yourself as part of the whole piece. Wow!
It took a few days and maybe a few months in the long run or maybe it hasn’t ever really stopped, but I was changed. I was greatly affected by what I saw there. I may not have liked some of it; the experience raised me to a new understanding. I was excited. Not only could I relate to other art styles but I could appreciate them for what they were trying to accomplish. What a great experience for me. Do other people have that experience? My education has failed me miserably.